Monday, March 14

on Japan, weddings, and politics

It was a weird, horrible, wonderful, encouraging, terrifying, heartbreaking, heart-mending week.

On Thursday, a friend finished (I mean finished) her first novel. It made me smile big smiles, and it also lit a fire under my ass. I might get to read it, but not before I finish my own damned manuscript. On the same day (Friday for them) the earth shook in close proximity to Japan though, so my joy was tempered.

I drove to Vancouver on Friday morning after a pit stop at Mom’s for coffee. I was driving to my Bio-Mom’s place in Surrey. So it took me around five hours and 500 kilometers to get from my Mom’s place to my Mom’s place. I’m guessing that puts me in a relatively small club. Not too small, but small enough.

I spent a good part of the trip thinking about Japan. That’s a large club – those thinking about Japan – from the minority-hateful club highlighted on Facebook who were equating an earthquake and tsunami with Pearl Harbor; to the larger demographic who are directly affected, hoping to hear a word that will never come, hoping to survive long enough for help to arrive, hoping that the scars won’t be too deep; to the majority club around the world that were/are just trying to think positive things, and empathize, and hope for the best. The “best”, at this point, would seem to be “anything that is not the worst”.

The radio says that we still don’t know the magnitude of this tragedy; that the estimates of destruction and depth keep jumping every hour. The truth is that we’ll never know the magnitude of this tragedy, no matter how exact the numbers, how specific the radiation counts, how large the dollar amounts. Some tragedies can’t be measured. All we can do is be dumbfounded and then try to lean into the light again.

That’s what I tried to do as I drove into Surrey; grab the light I was driving towards and lean into it. I was visiting to attend my brother Travis’s wedding after all.

Saturday morning Travis picked me up on the way to the Abbotsford Airport so we could pick up our other brother, Troy. (Aside: My birth name, before the adoption, was Thomas – Mom had a theme all planned out.) Then the three of us drove back to Mom’s to let her bask in our perpetual three-way ribbing. And then we spent the day together, the three of us, until it was time for the wedding. This happens only once every couple years these days, so it was precious.

There were moments, whole, long sequences of seconds and minutes when I actually forgot about Japan.

The ceremony itself was simple. Trav and his fiancé Kate were insistent that it meant nothing. They have no plans on celebrating March 12. It’s a formality in anticipation of a wedding in Mexico next month, and having a signed, authorized license back here in Canada makes the legal part of things much easier. So we gathered at Kate’s parent’s home, just family, eight of us, and ate too much. Some of us drank too much, but we forgive them and had made plans for safe drives home. And in the middle a Justice of the Peace arrived and we had a little ceremony.

Kate and Trav had championed the “this means nothing” theme, and yet everyone shed at least one tear. Kate was gorgeous in her laughing tears, Trav handsome in his stoic ones, and the room was full of love the way incense can fill a room; in the way that it makes you pull back and say “wow” involuntarily.

I had several profound moments of gratitude. This was a family I had never known eighteen years ago. Trav and Kate’s love has already overcome things that would make lesser mortals coil back in fear. Gratitude actually seems like a really small word. After all, words are just symbols we use to shorthand an idea. Ideas like gratitude or love deserves volumes, encyclopedias, libraries.

It’s cool that we can condense an idea like that into five or nine letters, depending, but there’s a disservice in the accomplishment too. Both gratitude and love deserve words with more gravitas. It’s typically Western: Our accomplishments sometimes go too far. We do because we can, and do not, often enough, ask whether we should.

I drove back Sunday morning and Japan still dominated the news. There was more information on the Fukushima reactor. The numbers were ugly and getting uglier with no end in sight. There was no way to measure it on a heart level, but the astronomers said that our days are now 1.6 milliseconds shorter because the rotation of the Earth sped up, and another expert is saying that, according to GPS measurements, Honshu appears to have moved almost 2.4 meters. The whole thing. Eight feet.

And then, in the mountains, I lost radio and enjoyed silence for a couple hours. When I came out Tapestry was on CBC. Karen Armstrong was on, talking about compassion. She won the TED prize in 2009 and wished for the Charter for Compassion, a wish she got and is getting. The Charter is an amazing idea.

They also talked about the attack ads that the Conservative party is running right now in Canada

I read a very funny op-ed in McLean’s by Scott Feschuk in which he said:
“Are there really people out there so ideologically fragile that a 30 seconds of dubious accusations are enough to alter their worldview? …Intrigued by this phenomenon, I have conducted painstaking research to develop a theory that offers insight into the precise mechanism by which attack ads are able to affect popular opinion. My theory is as follows: People are dumb. …I am not saying you’re an idiot if you switch parties because of an ad you saw on television. But I am thinking it.”
I know, not very compassionate, is it? The world is complex, what can I say? We can grieve for Japan on the same weekend as a joyous wedding, even while simultaneously hoping that our species can learn to embrace compassion as a benchmark, and yet laugh at a one-sided article insulting the voting population of my country.

Nobody said any of this would be simple.

Oh, somewhere along the line I lost an extra hour. Let me know if you see it. Every hour is important. If I can’t have it, I’d like to at least know that it went to a good cause.

Thursday, March 10

what it is, nothing more

I wrote a rant yesterday, and tried to spice it up with enough tongue-in-cheek sarcasm to feign the appearance of humor. Mostly I was just pissed off and ranting. Then I read a blog about “Tweeting good tweets” and “posting good posts” and how all of that is important to “building an online following” and “getting followers” and “establishing an online presence”.

My first thought was, “I guess I missed the mark and that one.” And then my second thought was, “Fuck it. I'll own that.!”

Not that there’s anything specifically wrong with the tricks and the games, but I know they aren’t for me. If I went that route, I’d never be able to forgive myself. I’m intentionally ignoring all the tricks for expanding my followers list on Twitter, intentionally choosing to post potentially uncomfortable links, expressing opinions, taking stands on issues. It’s been part of the inversion from, literally, day minus one. I know this blog and most of what I post on FB and Twitter has (on the surface of it, anyway) nothing to do with publishing a fantasy novel, but it has everything to do with trying to be authentic.

I’m sure they told Frank Herbert that about Dune too – too political, too ecologically sensitive, too subversive. And I know that Margaret Atwood catches constant shit about her political and social views. I’m not in their league (hell, I’m not in their universe, to be clear), but I admire their courage. I admire the integrity to have an opinion and a voice, damn the torpedoes. They make me want to aspire.

If (when) I publish, I will publish as me, not a persona. I’ve lived dual lives, a professional me and a personal me. It sucked. If my opinions and perspectives make that process harder, then so fucking be it. I refuse to sacrifice my freedom of thought and expression in order to be more popular or an easier sell.

Writing, being an artist, isn’t a game. This isn’t about winning anything or conquering anything. It’s about having a voice and a mind and sharing it, all of it, as honestly as we can. It’s about telling honest stories. If it’s fiction, as mine is, then the Picasso quote (which I found thanks to the inimitable Judy Clement Wall) applies: “Art is the lie that tells the truth.” If that means that I’ll never publish, because I’m not marketable, then so be that too. I’ll wear that, proudly.

Thoreau said, “I’d rather sit on a pumpkin and have it all to myself, than be crowded on a velvet cushion.” And then Einstein is attributed with saying something to the affect of, “If two people in the same room share all the same views on everything, one of them doesn’t need to be there.” That shit’s about abjuring the herd mentality, about not succumbing to it.

I won’t play games with my integrity for the sake of the possibility of a career. And if it ever turns into an actual career, I hope I still have enough integrity to be even louder when it counts most, and prove myself worthy of the career. I’d happily own failing as a marketable author for the sake of succeeding as a human with integrity.

If being honest and taking a stand means that I’ll never win the internet, I hope I never win the fucking internet.

P.S. This isn’t about anybody in particular. I’m just in a rant mood this week. Everything is coming out as a rant. I blame Gov. Scott Walker and my #amrevising playlist, which is largely comprised of Pearl Jam, Pink, Eminem, Foo Fighters, and Linkin Park. But, while I blame them, I still own every. Fucking. Word.


...


P.P.S. FYI: Intense Debate is acting weird on me. I have no moderation settings set, but comments are getting lost in the ether or, for some reason, to moderation. My apologies if you get lost - I have a help ticket submitted. I still appreciate every word of every comment though. Persevere for me, please.

Wednesday, March 9

because sometime you just have to laugh for crying

So, yesterday or so, the Israel IDF bombed Gaza. Again. Specifically, they bombed buildings under construction so, on the good side of things, nobody was there and there were no casualties. More specifically, the buildings under construction were on the campus of the University.


That’s right, potential building if higher learning. The irony is so thick we could walk on it, barefoot.

To be fair, I haven’t heard the IDF side of the story yet. I searched it, but apparently they haven’t made a comment. This time.

In the past though, also to be fair, right wing Israeli bloggers have called the Gaza University a “greenhouse of Hamas terrorism”, so it must be okay to bomb it. Just like when they bombed a UN elementary school in ’09. Because, you know, of that nasty greenhouse effect.

Only, these were building under construction so, well, no roofs. No roofs make it hard for there to be a greenhouse effect, even a metaphorical one, because they haven’t been used for anything yet. I suppose this was one of them pre-emptive strikes, just in case anyone was going to get all green-housey in there. You know, later.

Or, perhaps, it’s just that an educated population is tyranny’s greatest fear. Ever. Educated folk stand up for themselves, demand basic things like the right to farm, and have water, and not be indiscriminately killed while attending school or farming and shit. Educated folk see through the bullshit and the lies.

Heck, when the lies are being told by the IDF and the Israeli government, it doesn’t even take an education. Just a willingness to not be intentionally obtuse.

Please don’t misunderstand me – I think Hamas is just as much to blame as the Israeli government and IDF. I think all three organizations largely suck shit. I just wish they’d quit making civilians pay for their blood thirsty ways. And, in the case of Israel, which holds pretty much all the cards, I wish that they’d realize that being a big (homicidal, bigoted, apartheid-loving) bully just makes them look so, so bad.

On a more positive note, I watched this, from TED.com, in which JR, a French artist, received the TED award and made his TED wish. Part of his work was done in Israel and Palestine, where Mullahs, Imams, Rabbis and a host of regular folk from both sides of the apartheid wall participated in an installation that promoted unity.

If we could just completely marginalize the haters…

No, wait, that marginalizing thing is what got us here, isn’t it. Maybe we should use the J’s Love Project strategy and love more.

I think that a protest in which all the peace lovers of the world marched en masse to their leaders' halls of ignorance, er, power, and then force-hugged every last one of the fuckers, would be pretty damned effective. I think it might actually change some of them (a good hug is a powerful thing).

And the ones that couldn’t handle it, and whose heads just exploded? Collateral damage, baby. Cheney and Rumsfeld would appreciate the irony, I’m sure.

Sunday, March 6

whispering really loud

Sunday afternoons are quickly becoming one of my favorite times of the week. First, it marks the end of my weekly sojourn into hell, er, I mean, my three shifts at the casino. Getting off work is always an enormous relief.

Then I have the satisfaction of knowing that I’m driving home to Aikido practice. It’s a strange contradiction, squishing the place that I hate the most right now with the practice that I love the most. If I were #amwriting instead of #amrevising, I might not feel that way, but the two hours on the mat every Sunday night is like a bit of heaven, even better than the climbing at the moment.

Yeah, I said it.

Finally, my commute home Sunday afternoons blissfully coincides with Tapestry on CBC Radio 1, and the hour or so of driving feels a bit like a cocoon in which amazing people talk about amazing things with a degree of enlightenment that is always moving.

Last week, for instance, they were talking to ministers and pastors who had lost their faith, some of whom were still struggling to perform their duties in that absence of that faith, still working as ministers and pastors. I think that would tear me to pieces.

This week, host Mary Hynes was speaking with Pakistani musician Salman Ahmad, of the band Junoon (which translates as ‘obsessive passion’). Ahmad spoke eloquently of his love for Led Zeppelin and Suffi mystical traditions, and he quoted Iqbal: 
“The whisper in the heart has strength; it may not have wings but it has the power to fly. 
He talked about the creative spark within us, all of us, being our connection to the source, the base layer, or the divine. And also that it unites us; that it is the spark that, if we acknowledge it, connects us through art.

And then he said: 
“We all have that whisper of the heart, but the world is so loud that we can’t hear unless we really try.” 
It seems to me, at times, that it’s the other way around though; that our culture works so hard to not hear even when the natural arc of the universe, to steal one more quote, curves towards justice.

If we’d just get out of the fucking way and let it. Or maybe the artist’s truth is to be an amplifier; to scream that spark so loudly that nobody can ignore it. Maybe that’s part of breaking the ceiling too.


P.S. (Because I forgot) - http://www.cbc.ca/tapestry/ 

Friday, March 4

dreams of fantasies, fantasies of dreaming


I had a dream the other night. I was in a sword fight and, frankly holding my own, dammit. Everything was in slow motion, and color, and I remember thinking, “I’m dreaming!” and being excited about it because I just don’t seem to ever remember my dreams, and I certainly never seem cognizant of dreaming while doing it.

Or maybe I do, but I just don’t remember about it afterwards.

Anyway, I woke up in the morning and realized that I both remembered the dream and had, at some point, grabbed a katana I have in a stand on my headboard (it’s not THAT weird, really – I’ve studied kenjutsu, so I had a reason to buy it in the first place) and it was lying on the bed spread next to me.

So I guess we’re kind of officially seeing each other now. I wonder if I have to change my FB relationship status? Does “It’s complicated” really cover it?

I put this all in context though: I’m deep into semi-final revisions on Hand of God, my fantasy manuscript, in the last weeks before I send it off to my beta readers. Yes, beta readers. I have some. They’re cool people that I have either known for years or will one day meet outside of Twitter and Facebook and e-mail.

I’m a bit afraid of them too though. I mean, I’ve obviously chosen people I trust deeply, and whose opinion I clearly value, but what if the manuscript doesn’t live up to my self-believing hype? That would be embarrassing as hell. What if they don’t get the Dr. Seuss rhyming scheme or the stick-figure illustrations? What if the themes of alienation and self-realization aren’t clear in between the epic fight scenes and the pages-long descriptions of imaginary landscapes. What if the made up names for places and things based on Jellie Bellie flavors just don’t fly?

My head’s spinning with the permutations of rejection. And I haven’t even finished my query letter yet. I realistically recognize that it may take up to three agent queries to find “the one” for me. How will I handle the rejection from the first two?

Taken in this light, sleeping with a sword suddenly seems infinitely reasonable.

I’m going back to bed. Come’ere, lover.

Tuesday, March 1

...i'm gonna live forever...


This morning, in Stephen Elliot’s The Daily Rumpus e-mail (what do you mean you aren’t a subscriber? WTF? Hint: top right of the home page...), he talked about success, fame, and the inner sanctum of literary circles. He said (to everyone, not just the elites), “This will sound dramatic and cliché but the glass ceiling is beneath you. Try to break it.

I didn’t watch the Oscars, haven’t had any interest in doing so since they finally gave Jackson a statue for LOTR. It has a bit to do with not having TV in our home, but that would have been an easy obstacle to overcome. It has more to do with my adverse reaction to fame, how I think that we’re a bit addicted to lifting them up and hoping they’ll fall for our amusement.


Jion Ghomeshi was talking with a panel of entertainment pundits on Q last night as I drove home from the climbing gym. They were lamenting how bad the Oscars were this year; How the show is so controlled and scripted that nothing magical happens anymore. They celebrated the actress (?) that dropped the F-bomb as an unscripted moment, and then turned around and suggested that it was the most scripted moment of the show, only the actress in question was the only one with that well-rehearsed version of it.


I love the movies, don’t get me wrong. Like all art, there’s the good and the bad, but when it’s good, it’s so very, very good. I wish movies were longer. LOTR is best watched back to back to back for the full effect.


I don’t enjoy celebrity train wrecks though. It’s sad that Charlie Sheen’s implosion is such heady fodder right now. Charlie’s story, whether you like him or not, is a tragedy, not a comedy byline. Talent and success shouldn’t be the keys to the fame locker. Talent plus success so often equal car crashes. I wish we could protect more people from it.

That’s not the fault of movies though. That’s a by-product of the industry that makes movies. It’s a symptom of a culture that wants so many of the wrong things.

Jion and company panned James Franco’s performance as host, went so far as to say he’d torpedoed his career to some extent. I have no idea if they’re right, or what Mr. Franco’s thoughts were, but I look at his body of work, the counter-intuitive choices he’s made, and can’t help but wonder if the joke’s on Jion.

I can’t help but hope that James was lampooning the whole paper maché farce that is the awards season. 

And then they said that the best, most sincere speeches were made by the writers. They said that they couldn’t understand how all these great actors could blow their lines and yet the writers could slip into the spotlight for their thirty seconds and nail it so purely. And I smiled.

I have a hard time imagining anyone, in a writerly sense, being under a glass ceiling that I’m standing on. But I am committed to stomping more now, just in case. At the very worst (or perhaps best?), I’ll end up in the basement.

All the good shit happens in the basement anyway.

now and again

It snowed most of the day and night Sunday, at the end of a long cold snap here in southern BC. Nasty weather with temperatures in the minus twenties Celsius. And then, yesterday, it was calm and the sun came out, and the snow started to melt.

I took Dax and Bella, my roommate’s dogs, out for a walk, up the street and through a small neighborhood park, under the monkey bars and past the slide, and then down a hill into the woods until you couldn’t tell for looking that there was anything remotely like civilization anywhere around. The snow even made the paths look less civilized, like they could have been deer paths instead of hiking paths.

It was still and warm, the sun shining through the trees. Dax and Bella let loose, chasing each other around the plateau we were on, nosing into the snow, doing doggie MMA. And the melt off of the trees made it like standing in the middle of a sun shower. It felt like the dawn of time.

On Sunday, while I was at work, my Mom called. She fortuitously caught me on a break. She was having a tough morning. Miriam had gone for groceries and she was alone, anxious. Miriam, I have mentioned, is a quiet, stubborn lady, tough as nails and just as taciturn. I think that she plays down what mornings are usually like. I think that Mom has it tough most mornings, waking up to find huge parts of her past gone, not feeling any sense of continuity. I think that Miriam spends most mornings reminding her of where she is and explaining, day after day after day, that her memory is going.

So she was freaked out a bit, feeling displaced. Mirm was out and she found the list of phone numbers, of those few people that she still really remembers, and started making calls. I was second or third. She’d already talked to a couple friends, but hearing again and again that they already know she’s feeling history slide away can’t help much. So we talked for a few minutes and reminded each other of the important things.

When I called later, she was better, more relaxed, in her Zen place like she usually is when I visit, the anxiety of awakening already dissipated.

When she called again yesterday morning, just before I took the dogs out, she said that she felt better. She said that Miriam had taken her to see the doctor and she was on medication to help with her memory and one for her anxiety. This is an appointment that happened last year, in the spring, but it seemed like last week to her. Or she wanted it to be last week. She said she though it was helping, the medicine, and hoped to have her memory improve soon.

She didn’t remember the call on Sunday though.

And that’s what I thought about yesterday, in the trees, with the melt falling like a shower and the sun shining and the dogs running and jumping in the snow. We make plans, we humans, using our big brains to map out the future while we try so hard to untangle from the past.

But it’s really all about the now, the ever shifting now of moments both mundane and profound that flows over and past and around.

I wish that Mom could have been with me to see the dogs playing. I think she would have loved it, even if just for the moment.

Friday, February 25

chasing dragons

When I was fourteen or so, back in the days of Mom’s heroics, I fell into a fairly profound depression that lasted for about six years. As amazing as her actions to keep us roofed and clothed and fed were, as super-human as her efforts to care for our schizophrenic borders were, the effort took its toll too. There were large rents in the fabric of our lives, and I slipped through a few of them.

Mom never knew how bad it was at the time. We’ve talked about it since, cried and accepted and forgiven each other for the missteps and gaps. That’s all there was to do.

There’s no such thing as a normal life anyway. TV is just theatre. I’ve never met anyone that had a “normal” childhood.

Don’t get me wrong; I’m thankful for what we had. It could have been worse. I was cared for and provided for, and I learned autonomy early. I was perhaps neglected in some ways, trusted by default to find my way, but never abused. I always knew I was loved.

But I had a serious mind, and it led me to dark places, and Mom had her own demons to struggle with. I survived it. Barely, I realized later, looking back. There were close calls. But I survived. We both did.

After the accident, when my marriage was falling apart, there was another depression. This time I was able to get help and it was shorter, but the return to depression had been unsettling. Profoundly unsettling. Walking over your own grave unsettling.

Looking back on the last couple months, and especially weeks, I realize now that I was starting to feel a fear, in the back of my head where I couldn’t quite reach it, that I was sliding down the rabbit hole again. That I was falling into pits too deep for me to extricate myself from. That I was slipping away and that all the work I thought I’d done had obviously not been as complete as I’d thought. (And, of course, it isn’t complete, never is, but that’s okay and a different thing all together anyway.) With words all dried up, even the desire to write absent, I was getting very worried that something was seriously wrong.

I wasn’t ready to admit it to myself or anyone else. My friends were worried, I could tell. But I just curled in. It’s what I usually do; try to fix it myself for as long as I can. It generally works, even if it’s not a perfect system. Knowing that support is ready and waiting is usually enough. I still have all those ingrained habits of (perhaps unhealthy) autonomy though. It’s what I do.

But it wasn’t a slip into depression this last few weeks. It was just the mother of all colds, or maybe an inconvenient string of them. I woke up Wednesday and felt human for the first time in a while, then felt better yesterday, and today I’m feeling practically normal.

And I’m breathing heavy sighs of relief.

From here, coming out the other side, I can see that my malaise wasn’t a descent into darkness. The fear was unfounded. But it was there. That’s worth taking note of. I’m taking notes. There’s (always) still work to do.

But there’s good news in this too. When I was telling myself and everyone else that it was just a cold, I was right. While I may have a fear of some of the dark places I’ve lived in, I’m not the person that fell into those pits anymore. Who I was doesn’t define who I am.

And I think I feel pretty damned good about that.

...

P.S. I finished the full reading and notes for the manuscript draft today. The last revisions before beta reading start on Monday.

Tuesday, February 15

dead calm

Inspiration is a fickle bitch.

I wrote two pages of drivel about why I haven’t posted this last week and deleted it. You’re welcome.

Here’s the simple truth – I got nothin’ right now. The doldrums I mentioned last week? Still here, still with me. I’d rather leave dead air than fill it for the sake of filling it.

I could manufacture something about Egypt, but smarter people than me have said smarter things than I could, and more insightful people have already said the right stuff about what it’s really about. I’m fucking excited about it though – Tunisia and Egypt are the most amazing things to happen to democracy since the ‘60s. I hope desperately that neither regional groups, nor the military, nor the West, hijack or even try to hijack what is happening there.

I could do some extended navel-gazing like the crap I deleted, but it wouldn’t be as honest as it should be, has to be, for what I need to be gazing at. It would just be a post for the sake of posting. Other than once or twice, fairly early on when stuff like stats and a schedule were things I thought might be important, I’ve tried not to post for the sake of posting. That’s not fair to me or you. That’s not what this is about.

So I’ll just shut up now and keep my head down, nurse my (six week old and counting) cold, and try to figure my shit out. When it’s honest, I’ll post it.

Love ya. Thanks for your patience. 

Monday, February 7

smoke and mirrors

I had a strange week last week, full of flatness and a decided lack of inspiration. It wasn’t writer’s block (whatever that is) – you have to be trying to move forward to encounter a blockage. Instead, I was vaguely unhappy about having no desire to move forward. It was like being in fog, or thick smoke. Like I couldn't see farther than my hand, so it was most prudent to stand still.

I listened to an interview with Iain Banks (or Iain M Banks). He writes under both names, publishing high-end sci-fi and critically-acclaimed non-genre. He said that he had no clue what writer’s block was and apologized for being flippant about it. I want to identify with that perspective one day. So far, so good, but it’s early. It’s the lack of motivation that gets me sometimes.

So I posted old stuff, a story and a poem. Bloggers love comments, we do, but stories and (especially) poetry don’t encourage them the way current events and navel-gazing does.

A friend and I agreed that commenting on poetry is intimidating. There’s this sort of expectation to “get” what the writer was saying, even when it’s (unavoidably) so ambiguous with poetry. Poetry is meant to be full of the unobvious, sometimes only meant to be pretty, but always brimming over with implied metaphors.

Commenting on poetry is like describing a ship that passes in the fog.


If we’ve been to school, studied poetry (for example), there’s this ingrained reaction to critique according the metrics we were taught – the metrics of criticism. Often, we were told to avoid trying to read it as auto-biography, but there’s always the temptation to do just that – to try to see into the artist’s mind and learn about them. That temptation is naturally stronger when we’re viewing famous works by famous artists, but I think the professors are right no matter what. We should avoid it.

If we get caught up with studying craft too much, or looking for biographical clues, or practicing pseudo-forensic psychiatry, then we miss the beauty of art; the chance to let is wash over us and teach us about ourselves the way a fortune teller reads tea leaves. We need to steep ourselves in art and then, during and much later, read the detritus it washes up onto the sides of the cup.

I agree with the thought that art is a mirror. Of society? Yes, but I think the most prevalent value of art is as a mirror we use to see our selves in.

Even when we just want to make something pretty, with no meaning at all beyond the beauty of creating, if we share it, there’s the mirror. Somebody sees it and they see… what? Something of themselves. Has to happen. We look and see that post, picture, story, poem through our own lens. And we see our selves in our reaction to it. If we’re looking for it. The better the art, often the more profound the reaction. But not always.

Sometimes it’s just serendipitous timing and the mundane provokes violent upheavals. Other times, the most amazing art barely makes a ripple. But there’s always the mirror, telling us about ourselves if we are willing to listen. It’s a mystery. I love that, the use of art to help solve ourselves.


I read this a couple weeks ago and it has stuck with me like a virus.

"It has always seemed strange to me... the things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second." ~ John Steinbeck

It’s a blatant societal mirror, but it works on a personal level too. What do we value?


ALSO: If you haven’t already, you should go check out Judy Clement Wall’s Love Project. I think it’s kind of beautiful; a grass rootsy kind of thing that could turn into a tsunami. I hope it does. A love tsunami – it’s a nice thought.

ALSO AGAIN: Annie Syed talks about art and originality in her Still Sundays post this week. She’s always worth reading, but if you’re an artist, it’s especially pertinent.

Saturday, February 5

poetry #5 - ...does it make a sound?

© mdlockhart 2009


charcoal cold, she spreads herself above him
  noble, wanton, she hides, she hides behind
  the petty coats of the azure-breathing forest
tense and groaning, they sway beneath her,
  kaleidoscopic dancers, verdant in the planet's breath

i also sway, lost in the darkening
  in the spider-spinning cacophony of this aging warrior
  he is oblivious, lost in his own fuming worship
arms spread wide and full of shadow lines
  twisted, scar-knurled and full of fate

he is the former opulence
  brittle trailing of the ether's bridal gown
  now yellowed and ashed, he is alone
an anachronism
  hidden in among the lush present

besieged by a green youth, callous, callow
  not imbued with a proper
  respect, but in him there is a refusal
  arthritic and T-boned, his crooked palms raise
eternally to the stinging rain
---
he shakes and cracks within her dispassionate embrace
  straining towards the deluge, skeletal
  it spills, her showers
like sand between bony fingers
  and rigid, impotent, he rattles and rails

the mistress, un-aged, dances
  rushing between her younger lovers’ groaning limbs
  her laughter and disdain rolling
deeply, booming in the shadow
  through cloud and over root

he strains, zealot rigid
  unbending, spine fused by age and frustration
  no possible supplication
is left to him
  proud, but diminished

he stands as mute witness to
  the absolute constant of mutability
  the virginal truth of change
  the glare of what may be
to a dodgy and skittish present
---
tall, he prophesies
  a blood-full, onyx sky swollen above
  gyres about him with her younger lovers
slashes him with tears, explodes in ecstasy
  amplified echoes of his angst

desperate, he barks splinters
  against the sky that cuckolds him
  summons his own thunder and,
one last time, without resignation
  bends back to stare into her weeping mien

i hear his cracking sigh, 
  see him kneel and fall
  warmly, the scent of her full and sweet
he crashes to the forest floor
  and returns, returns to the earth

the young dance, oblivious above him, but i see
  as i see her, shuddering as she nods
  a final thunder head bowing to earth
  as with a flourish, a final tear she
mourns into the spreading darkness

© mdlockhart 2007

(Up the mountain in the first months after the inversion started, I found one deciduous tree at over 7000 ft, 600 or 700 feet above any other deciduous. It was dead, but beautiful, held up by the pines around it. The poem isn't about that tree, one I saw fall in a wind storm in Alberta, but it could be. Will be. One day.)

Wednesday, February 2

fiction #2 - closing accounts

(Trying something different today. Egypt has me simultaneously so optimistic, concerned, and confounded that I have nothing to say on the obvious topic du jour, so let's go off the board for $200, Alex.)

closing accounts

Joseph left the office at 3:47 PM in order to make a short trip to the bank. He needed to do a quick bit of business before the bank closed so that he could leave for his vacation that night after work. The business wouldn’t take long, he knew, and he could then return to finish his final day as executive assistant to Mr. J. D. Camstan, CEO and Director of Camstan and Sons Payroll Accounting Solutions, Inc. He had worked without holiday or even one sick day for just more than thirteen years, always foregoing the urgings of Mr. Camstan to take a well deserved break from his ceaseless acts of duty and loyalty. He knew, after all, that Mr. Camstan, and by association the company, would fall apart without him.
And so he walked the three blocks north to his branch of the bank that he had patronized for those same thirteen years, the First Continental Bank, whistling as he walked and, some would later say, almost skipping down the cobble-stoned sidewalk that graced this corner of the financial district.
Joseph waved to the flower vendor at the corner who always set out her assortment of fresh blooms at precisely eleven o’clock every morning and stayed faithfully, in rain or shine, until precisely six-thirty o’clock in order to allow every employee on the street the opportunity to take fresh flowers home. He appreciated her diligence and commitment, and bought a fresh bouquet every Friday under the guise of needing it for his Friday date. Each week she would smile as they exchanged pleasantries, and wink at him when he made his goodbyes so that he would not be late. On this day they politely nodded to one another and did not talk.
He stopped briefly at the tobacconist’s to buy a newspaper and, perhaps on a sudden whim, an expensive cigar to enjoy in the first class lounge at the airport. With the tobacconist, Joseph spoke for two minutes on such inane subjects as the weather and the scores from the hockey playoff game the previous evening.
The waitress at the café he frequented for lunch most Wednesdays also received a hearty greeting and polite wave as he passed her cleaning tables on the patio. For a long moment she didn’t seem to recognize him, but then a light went on and she thought she placed his unremarkable face and returned the wave. He did not notice that there remained a faint look of puzzlement on her face.
His ebullient steps brought him, finally, to the doors of the First Continental Bank where the guard was already waiting at the entrance to begin the lock down procedures at 4:00 PM. The guard did not seem to note his arrival or even be paying attention at all, glancing as he was over his shoulder back into the bank lobby. Joseph thought he heard the guard making a soft cat-whistle as he passed.
Once inside the bank, he entered the queue just behind a younger fellow, also dressed in a suit, gray, and carrying an aluminum attaché case, and they made their way quickly to the kiosk positioned conveniently along the path of the queue. As he did so, Joseph enjoyed the soft click of his new shoes on the marble floor and the crisp sensation of the conditioned air after the humid spring day outside. He stopped to complete his transfer slip as the young man carried on to a window.
He took a slip from the kiosk and completed it, first writing his account number, then filling in the name and transfer number of the Grand Cayman Bank account he was transferring to. Very carefully, he wrote the sum of the transfer on the slip, both in precise script – One million, seven hundred and twenty-four thousand, nine hundred and seventy-nine, and forty two centsand then in practiced numerals - $1,724,979.42then, after taking a breath to steady his nerves, wrote his nameJoseph Merriman perfectly but impersonally on the signatory line. Joseph checked his watch: 4:57 PM. The timing was crucial and perfect. For good luck he patted his airline ticket and passport through the light summer wool of his suit jacket and turned to find an available teller.
It was at that moment that something strange happened, something that had never happened to Joseph Merriman in all of the thirteen years of his tenure at Camstan and Sons, and had never happened during one of his bi-weekly visits to First Continental. That had, in fact, never occurred in his adult life. Perhaps it was his exceptional good mood and the palpable happiness he exuded. Or perhaps it was the air of confidence he carried, something certainly unique to him on this day; the aura of someone whose ship had finally come in. Whatever the case, on this singular May day, as he looked up from his transfer slip and turned, Joseph Merriman caught the eye of a pretty young woman.
Moreover, he seemed to hold her gaze for several seconds without her looking quickly away; He made eye contact.
She was about the same height as Joseph, average for a woman, but had a slim and muscular build. Large, pert breasts showed prominently beneath a blue sweater that matched her eyes, accentuated by a golden aura of cascading hair. He could not help but peripherally notice black slacks, of some synthetic and clingy fabric, that graced and highlighted every curve and muscles of her hips and legs, nor, as she turned slightly, could he help but recognize how out of proportion her breasts were to her otherwise trim and lithe body. The guard’s whistle suddenly made sense. He also deduced instantly that they must be implants. This made his penis begin to swell.
Joseph was flushed. He knew that he was not an attractive man, having fared poorly in the genetic lottery as far as aesthetics were concerned. Now in his late-thirties, he had suffered the indignity of a receding hairline while still a freshman at college, a full retreat before graduation, and complete follicular abandonment by the time he was twenty-six. His frame was particularly thin and short and seemed insufficient to support the growing expanse of soft flesh around his beltline - and only around his beltline - that refused to be diminished by failed diet or the minimal amount of exercise that he could fit into his very busy life. His cheap suits were subsequently insufficient to mask any of his flaccid frame’s inadequacies as he made his bald way from place to place. All of this to say that Joseph was more than a little surprised to be the object of this lovely young woman’s subtle but unmistakably coy smile.
Such is the affect of an unprecedented event that for what seemed a long moment Joseph simply froze, without any concept of an appropriate response to such a shock. The glow of hubris began to burn brightly within his substantial brain. Finally, he thought, I have so obviously arrived at a station and place appropriate to my intellect where my appearance is overshadowed by the gravitas of my person and good fortune! And, he made the logical leap, this young flower is only the first of many who will recognize this new stature with only a glance. I will finally enjoy the fruits of a life denied me by circumstance and the vagaries of phenotypical genetics, and I will be admired as I ought. With some discomfort born of performing an act for the first time, Joseph returned her smile.
Again with the discomfort of a man performing a task he was not used to, still sharing the lusciously surprising gaze with the woman, Joseph made to turn to a teller while adjusting the small tent in the front of his pants, and at that exact moment time changed subtly and permanently for Joseph Merriman.
There was a shriek behind him and, with a poignant clarity, Joseph saw the beautiful woman actually notice him for the first time. The change in the direction of her glance was minuscule but unmistakable. He instinctively began to turn towards the sound behind him, eyes still fixated on the woman, and so saw her face transform as she saw him staring at her and smiling. Her visage fleeted through distaste, then amusement, then slid effortlessly past him and into a fierce grin. Then she was moving, but it was a blur to Joseph because he was turning, his head spinning faster than his body to find the young man that was ahead of him in line standing behind him. The man in the suit, his back now to the teller, his right hand lifted in the air, the hand full of gun.
The young man, composed in spite of the teller’s scream, projected into the hollow acoustics of the bank, “Everybody down”, in a slow motion drawl.
As his gaze fixed on the gun, Joseph’s mind played a small and acrobatic trick, reviewing immediately the young woman’s transforming visage. With familiar understanding, it became his face’s turn to fleetly stir through a mixing bowl of emotional expressions: There was a hint of disappointment which quickly blended into a practiced expression of self-chastisement – Stupid, Joseph, how could you have thought... – then a good pinch of surprise – Is that a gun? – and finally a full cup of fear.
Joseph’s body was still turning towards the shriek (and subsequently the gunman) while at the same time his mind made every effort to suddenly flee in the opposite direction. As his mind and body began an argument that both were bound to lose, a blur - formerly the young woman recognizing Joseph’s impending greatness, now another in a long line of cruel muses - moved between him and the exit, pointing – She has one too…!  - her own gun, past Joseph and towards the door. Towards the guard, Joseph surmised without actually thinking it.
The mounting number of completely unbelievable realizations finally undid Joseph and, his body turning one way and his mind the other, his hopes tossed in the air and tent deflating, his now confused foot firmly met the heavy base of the stanchion supporting the velvet ropes of the queue. The momentum of his confounded body was too much for his fleeing mind to control and, defying logic, Joseph unrepentantly found himself launched forward into the air.
Naturally, his mind, disconnected as it was, recognized the absurdity of the action immediately and started to push a single syllable of abject denial past his vocal chords and lips:
“Nnnnnnnnn…!” he began.
He thought then of the transaction slip that was fluttering in the corner of his eye, now bereft of tether as his hands opened and pushed forward to break his fall; of the clean digits, all nine of them, complete with commas and a period; of the untraceable twelve years of embezzlement that they represented; of the small, cozy villa above a cliff on the coast of Belize; of the rum and cigars that were to be held by the very hands now flying up in front of him in less than a day; of the impending loss of his virginity.
This was what he was thinking as first one hand then the other firmly closed over first one then the other of the buxom young woman’s surgically enhanced breasts. For the second time, their eyes met. Joseph saw shock in hers, the pupils contracting and showing off, he couldn’t help but notice, the sweetest tiny gold flecks in the irises. He registered a revelatory feeling as his hands pressed into the firmness of the breasts, the small hardness of her nipples pressing through the soft fabric of bra and sweater into his palms.
“..ooooooo…!”, he continued.
He thought – So this is what a false breast feels like… what a breast feels like. His mind rushed through the endless litany of artificial breasts he planned on relishing in Belize. He thought about how much more enjoyable it would be when he didn’t have to rush or use them to break his fall. And he thought about what one might actually taste like, the firm nipple between his flaccid, pouting lips, as he felt and heard simultaneously a sharp punch in his back and a fierce explosion by his ear.
“…oooooogglglglglllllhhaaaa…” he completed.
In the ringing blindness he realized that he had stopped falling. Each hand was still placed over each breast, but the two of them, he and the woman, laid together on the floor now. In the woman’s eyes, only inches from his own, there was a dazed look, as if she was in shock due to his clumsiness. Then he noticed the warm wetness spreading between them. He deduced that it must be blood, her blood, and that the dazed look must mean that she was actually dead. Perhaps the guard had saved them all.
Joseph felt he should get up and say his thanks, perhaps even manage to complete his transaction. Certainly, lying on the floor with this buxom thief fondling her dead breasts was unseemly in the extreme.
As respectfully as he could he slid his hands from her breasts to the floor and, suddenly too tired to move, laid his head upon the same sweater-covered softness.
Behind him, from the direction of the tellers’ wickets, he heard, “I think the fucker is dead.”
Just above him, “The girl too. Did she shoot him?”
Another voice, the guard’s perhaps, “Yeah, she shot when the chubby guy jumped her. I saw it. She missed him and got her boyfriend. Blind luck.”
And the first voice, “And the fucker shot the fat guy that was jumping his girlfriend?”
“Must have been…”
“Is the little guy dead?”
“No, he’s breathing sort of…” There was a pressure on his back then, soft and distant, in the midst of a heat more intense than he had ever felt before. “He’s gurgling pretty bad though. Fuck, look at all this blood. I can’t stop it.”
The teller’s voice, “He was so brave, just screaming “no” like that and jumping her.”
“Brave? Stupid fuck could have got us all killed.”
And close to his ear, “Hold on, buddy. Help’s on the way.”
And in a whisper above him, “He’s not gonna make it.”
Joseph Merriman felt a cooling breeze wash over his hot brow, chilling him, and thought, “Am I here already? Ah, Belize…” and closed his eyes.

fin